ÿþ<html> <head> <title>bhajagovindam 6</title> </head> <body background="../back.jpg"> <!-- Header --> <a href="../index.html"><img src="../logo-small.jpg" border="0" align="left"></a> <center><img src="../title-500.gif"><br> <img src="../buttons/spacer50.gif"><br> </center> <center> <h2>Bhajagovindam<br> Part 6</h2> <I> Ramakantha Rao Chakalakonda</I><br><br> <table width="80%"><tr><td> <P> This page uses Unicode. If your computer does not display Telugu script, please read and enjoy the <a href="bhajagovindam-6.pdf">pdf version</a>. If you would like to set your computer up to display Telugu Unicode, please see <a href="http://te.wikipedia.org/wiki/%E0%B0%B5%E0%B0%BF%E0%B0%95%E0%B0%BF%E0%B0%AA%E0%B1%80%E0%B0%A1%E0%B0%BF%E0%B0%AF%E0%B0%BE:Setting_up_your_browser_for_Indic_scripts">help here</a></P> </td></tr></table><br><br> <P> (We will publish Sree Ramakaantharao gari translation and commentary on the Bhajagovindam in several installments. He has translated this work into poetic Telugu, as well as easy to understand English. Please be sure to look for them in the upcoming months .. Editor) <br><br><img src="../buttons/bar-rainbow.gif"><br><br> <table width="80%"> <tr><td> <! --- Poetry, centering table ---> <center><table><tr><td> <B><font color="blue"> 21. yogarato vaabhogaratovaa<br> saN^garato vaa saNgaviihinaH .<br> yasya brahmaNi ramate chittaM<br> nandati nandati nandatyeva<br><br> / K  0 $ K 5 > - K  0 $ K 5 > , 8   0 $ K 5 > 8   5 ? 9 @ (  <br> / 8 M / , M 0 9 M . # ? 0 . $ G  ? $ M $  , ( ( M & $ ? ( ( M & $ ? ( ( M & $ M / G 5 <br><br> </font> </b> <br><br> <font color="green">  5 M 5 ( ?  & 2 K 6 M 0 @ 9 0 ? 5 A  ! A ( K <br> 5 > ( ?  G ( ? $ M / > (  & . A &  M  A ( A ,<br> / K  , - K  , 8  / A  M $ A ! H ( ( B ,<br> 5 > ( ?  G &  M  A ( A 5 ? 9 ? $ > (  & . A <br><br> 9 0 ? ( F 1 ?  ? (  K 9 0 .  A & A   . A <br>  F 1 ,  M  F ! ? / @  ?  $ 2 A $ J 2  A ( A ,<br> * 0 . > $ M . A ! ? * & 8 ( M ( ? ' G ( 0 A ( ?  ? <br>  5 2  , ( . A ,   $ ? .  . M / . A ||8 M . 0 ?   A ||<br><br> </td></tr></table></center><!--- End Poetry Centering ---><br><br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he next lesson was taught by Sri Aynandagiri Acharya, he said, hey friend! If your mind is filled with thoughts of Lord, and if you spend all your time in his prayers, what ever life you are leading, whether in mist of worldly pleasures, or in a jungle, weather you are a Yogi or not, whether you are in the company of saints or not, it does not matter. Your mind is then always happy, complacent and detached from sorrow and sadness. You will be smiling enjoying the thoughts of Lord in your mind. In such a condition, what ever physical life you lead, engaged in any activity, you will be leading a detached life. You will be sailing in the river of worldly matters, just like a wood will be sailing in the river, floating along with the waters, irrespective of what is there on the shore. Whether you practice concentration or let your self indulge in sense-enjoyment, or your find pleasure in company; or in solitude, you will be happy, happy, and verily happy, if your mind revels in Brahman. One may take delight in yoga or bhoga, may have attachment or detachment. But only he whose mind steadily delights in Brahman enjoys bliss, no one else. So what is important is what we do in our daily activities, what is important is with how much concentration and dedication, we think of Lord in Mind. Means keep in your mind the Lord irrespective of what you do in your dally walk of life, then you will be the most happiest man. <br><br> <! --- Poetry, centering table ---> <center><table><tr><td> <B><font color="blue"> 22. bhagavad.h giitaa kiJNchidadhiitaa<br> gaNgaa jalalava kaNikaapiitaa .<br> sakRidapi yena muraari samarchaa<br> kriyate tasya yamena na charchaa <br><br> -  5 & M  @ $ >  ?   ? & ' @ $ > ,    >  2 2 5  # ?  > * @ $ > ,<br> 8  C & * ? / G ( . A 0 > 0 ? 8 . 0 M  > ,  M 0 ? / $ G $ 8 M / / . K * ? (  0 M  > . M <br> </font> </b> <br><br> <font color="green"> -  5 & M  @ $   . A ( A  ! ? ( <br>    >  2 . A  J  $ A ( ( ?  ! ? ( <br> 5 ? 2 A ( ? ( > . . A   * 0 ? * 2 M  ? ( <br> / . A ( ? - / . A / ?   5 0 ?  A  ! A ( A ?<br><br> . ( 8 > 5 >  >  0 M . $ K - A 5 ? ( <br> $ M 0 ?  0 # / K  . A $ F 2 M * ? ( 0 @ $ ? ( <br> 8 > ' A * A 0 A 7 A ! A 8 > ' (  G 8 ? ( <br>  > 2 A ! A  B ! > & 0 ?  G 0 > ! A ||8 M . 0 ?   A ||<br><br> </td></tr></table></center><!--- End Poetry Centering ---><br><br> / @ 6 M 2 K  . A  F * M * ? ( 5 > 0 A 6 M 0 @ 6   0 A 2 5 > 0 ? 6 ? 7 M / A 2 A 6 M 0 @ & C " -  M $ >  > 0 M / A 2 5 > 0 A . -  5 $ M  @ $  J   . H ( ( B * ?   ? ( ( B ,    >  2 . A  J   . A  J  $ A ( $ M 0 >  ? ( ( B , -  M $ ? $ K -  5 ( M ( > . . A   * 0 ? * 2 M  ? ( ( B , / . A ! A  B ! > 5 > ( ?  K 2 ?  ? * K ! A . 8 $ M  > 0 M / . A 2 A  G / A  B , . ( 8 A . > ' 5 A ( ? * H 2  M ( . A  G 8 ?  @ 5 ?   A 8 > ' A 5 A  A  5 M 5 0 B  @ ! A  G / 2 G 0 A . 6 M 0 @ . $ M -  5 $ M  @ $ -  5  $ A ! A 6 M 0 @  C 7 M # * 0 . > $ M . . A  . A ( A  ! ? 5 F 2 A 5 ! ? ( . 9 >  M 0  ' . A , & > ( ? ( ?  J   . H ( ( B 6 M 0 & M '  > * ?   ? ( . K  M 7 * M 0 > * M $ ?  2 M  A ( A . $ M 0 ?  0 # 6 A & M ' ?  > ,  (  > . ( 8 > , 5 >  > ,  0 M . # > , -  5  $ A ( ? * H . ( 8 A ( ? 2 M * ? , 8 $ M  > 0 M / . A 2 >  0 ?   A  B , M 0 $ A  A 5 M /  M $ ?  ? . K  M 7 * M 0 > * M $ ? $ ' M / . A . <P> The next lesson was taught by Sri Druda Bhakta Charya, he said, dear Friend! If you read a small verse in Bhagavat Geetha, and take a holy dip in river Ganges, and pray God at least once, then that is good enough to acquire MOKSHAM the salvation, provided you do that with sincerity, devotion, dedication and concentration and fully involved. Your mind, word and thought should coincide in doing that, then you got MOKSHAM. <P> Those who study the Bhagavadgita even a little, who drink a drop of the Ganga water, and who has perform the worship of the Destroyer of the demon Mura (viz. Shri Krishna) at least once, they have no altercation with Yama. (the Lord of Death). <br><br> <! --- Poetry, centering table ---> <center><table><tr><td> <B><font color="blue"> 23. punarapi jananaM punarapi maraNaM<br> punarapi jananii jaThare shayanam.h .<br> iha saMsaare bahudustaare<br> kRipayaa.apaare paahi muraare <br><br> * A ( 0 * ?  ( (  * A ( 0 * ? . 0 #  , * A ( 0 * ?  ( ( @  0 G 6 / ( . M ,<br>  9 8  8 > 0 G , 9 A & A 8 M $ > 0 G ,  C * / > * > 0 G * > 9 ? . A 0 > 0 G . </font> </b> <br><br> <font color="green"> . >  ?  ? . >  ?  ?   M  A  * A  M  A  <br> . > $ >  0 M - > 5 > 8 . A  G / A  <br>  ! $ F  ( ? & ? / @ - 5 8 >  0 . A <br> $ 0 # . 8 > ' M / . A $ ? 0 A . 2 ( > ' > !<br><br>  ( M ( ? . > 0 A 2 A   M  ? * A  M  F & 5 A <br> . B $ M 0 . 2 ? ( . A 2 . ' M /  ! ? * F & 5 A <br>  ( M ( ? . > 0 A 2 5  > 6 . A / ?  M  ? ( <br>  2 . K 9 . A ( 5 & 2 A  A  & A 5 A ?<br> / ? 9 2 K  . A 2 8 A  . A 2  J 1  A <br>  2 * 0 . A ( A * 0 ? $ M /  ?  $ A 5 A ?<br>  2 , K ' ( 2 A 5 @ ( A 2  F  M   <br>  A 0 A 5 A 2 . >  2 A  # (  G / 5 A ?<br><br>  2 6 M 0 @ 9 0 ? * > & / A  . A * H <br> 6 ? 0 . A ( A * F  M  ? 6 0 # . A  K 0 5 A <br> ( @ 5 A $ * M * ( > 0 > / # ! ( >  A <br> & ?  M  A 2 G & ( ? & H ( M / . A  F  & 5 A ?<br><br>  K 0 - / > (  - 5 8 >  0 . A <br> $ 0 # . A  G / A . A $ ? 0 A . 2 ( > % > !<br>  & 2 G ( A / ?  6  M $ ? 9 @ ( A ! ( A <br> ( @ & / ( > * H  B *  0 > 5 > !<br><br>  5 ? ' ? 6 M 0 @ 9 0 ? * M 0 > 0 M ' (  G / A . A <br> * 0 ? * 0 ?  $ ( ? * & . A 2 A *  M  A . A <br>   * 0 ? 6 M 0 @ 9 0 ? 6 0 # . A ( J  & ? ( <br>  ( M . & A   . A 2 A   $ . A  > 5 > ! ||8 M . 0 ?   A ||<br><br> </td></tr></table></center><!--- End Poetry Centering ---><br><br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br> <P> The next lesson was taught by Sri Nityanada charya, he said, we are in a journey which is endless, this cycle is going for ever. We take birth, lead a life, fully involved in the worldly matters, eat, drink, work, reproduce, become old and deceased and die, without achieving anything spiritually, and again go back to birth. Like that how many times do you spend time in mother s womb ? Repeated birth, repeated death, and repeated lying in the mother's womb- this transmigratory process is extensive and difficult to cross Is there any end ? If you want to come out of this vicious circle, there is only one way, immediately take the refuge in the lotus feet of Lord, then it will give you protection, HE will take you away from this to eternity. Hay LORD it is indeed hard to cross this boundless ocean of samsara. Oh Murari ! Redeem me through Thy mercy <P> With a concentrated mind, if you pray even one moment that is good enough. Desires are the enemies for us. As long as we are slaves to desires, as long as we have bondage of desires, where lead a life in jungle taking shade under a tree, getting warmth from sun, filling stomach with alums, there is no use. If we are a wretched puppet at the hands of passions, what ever we do is a waste. So control your desires which are the first step to acquire Moksha.<br><br> <! --- Poetry, centering table ---> <center><table><tr><td> <B><font color="blue"> 24. rathyaa charpaTa virachita kanthaH<br> puNyaapuNya vivarjita panthaH .<br> yogii yoganiyojita chitto<br> ramate baalonmattavadeva <br><br> 0 ' M / >  0 M *  5 ? 0  ? $  ( M '  , * A # M / > * A # M / 5 ? 5 0 M  ? $ * ( M ' >  <br> / K  @ / K  ( ? / K  ? $  ? $ M $ K , 0 . $ G , > 2 K ( M . $ M $ 5 & G 5 .<br><br> </font> </b> <br><br> <font color="green"> , M 0 9 M . . A * H ( . ( 8 A ( A ( ? 2 ? * ? <br> , M 0 9 M . > (  & . A * J  & F ! ? 5 > ! A <br> 5 8 M $ A 5 ? 7 / . A 2 / K  (  G / ! A <br> & G ( ? * H ( $ ( & C 7 M  ? . 0 2 M  ! A .<br><br> 5 G 8 F ! ? 5 8 M $ M 0 . A  ! F ! ? 5 > 8 . A <br> $ ? ( F ! ? $ ?  ! ? * H & C 7 M  ? . 0 2 M  ! A <br> & J 0  ? ( ,  M  $ J ,  ? 0 ?  ? (  A ! M ! $ K <br> ( M . $ M $ A ! ? 2 >  ! A . 9 > $ M . A ! A .<br><br>  $ M . ( ? / $ ?  2  ? $ M $ . A 2 K ( <br>  $ 0  ?  $ 2  A $ > 5 A ( @ / ! A <br>   $ 0 M . A  A ! H   $ 0   . A ( <br> 9 0 M 7 ! K 2 ?  2 A 5 B  A  A ( A  ! A . <br><br> & M 5  & M 5   $ M $ A  A $ > ( $ @ $ A ! H <br> / K  5 @ ' ? 5 ? 9 0 ?   A  A ( A  ! A <br> * 0 , M 0 9 M . * &  0 > ' ( 2 K <br> * 0 . > (  & . A ( J  & A  A ( A  ! A . ||8 M . 0 ?   A ||<br><br> </td></tr></table></center><!--- End Poetry Centering ---><br><br> <P>/ @ 6 M 2 K  . A  F * M * ? ( 5 > 0 A 6 M 0 @ 6   0 A 2 5 > 0 ? 6 ? 7 M / A 2 A 6 M 0 @ / K  > (  & >  > 0 M / A 2 A .  $ M .  M  > ( . A ( J  & ? ( 5 M /  M $ ?  ? / @ 8  8 > 0 5 ? 7 / . A 2 * H ' M / > 8 G  ! & A .  . ? $ ? ( A  A ( M ( > ! K , $ M 0 >  A  A ( M ( > ! K ,  5 8 M $ M 0 . A 2 A ' 0 ?   A  A ( M ( > ! K  B ! >  $ ( ?  ? $ F 2 ? / & A .  8 M % ? $ ? 2 K  $ ! A   ( M . $ M $ A ! A 5 2 F , , > 2 A ! ? 5 2 F  B  A 5 > 0 ?  ?  ( ? * ?   A ( A .  ? 0 ?  ? ( 5 8 M $ M 0 . A 2 $ K , . > 8 ? (   C $ ? $ K  $ ! A  ( ? * ?   5  M  A ( A . & > ( ?  ?  > 0 # . A 5 > ( ?  ? / @ 8  8 > 0 5 ? 7 / . A 2 * H  . > $ M 0 . A  8  M $ ? 2 G  * K 5 A  .   M  ? 5 > ( ?  ? . ( 8 A ( ? 6 M  2 . H , 5 M / 5 9 > 0 * M 0 *   . A 2 K .   ?  F ! A 2  A  $ @ $ A ! H 5 M / 5 9 0 ?   A ( A . . ( 8 A ( ? 0 M . 2 . H , / K  . A 2 K ( ? .  M ( . H ,  $ M . > (  & . A ( A  F  & A  A  ! A ( A .  ( M ( ?  (  & . A 2  ( M ( ( B . ? ( M (  A  $ M . > (  & . A ( ( A - 5 ?   A  B  $ ! A * 0 . K ( M ( $ 8 M % ? $ ? 2 K * 0 . > $ M .  A  G 0 A 5  > / A  ! A ( A . <P> The next lesson was taught by Sri YoganandaCharya. He said, dear Friend, a man who acquires self realization, is least bothered about the world. How he lives, and how he leads his life, what dress he wears, what food he eats, for the world he looks like a mad man, but he is in his own world, where he will be in the service and prayers of LORD, full of happiness and joy. He is not bothered at all how others look at him and what they think and say about him. He is in his blissful world of tranquility and eternal pleasure. He who wears a dress made of rags that lie about in the streets, he who walks the path that is beyond merit and demerit the Yogin whose mind is given up to Yoga revels (in Brahman) just as a child or as a mad-man. There is no shortage of clothing for a monk so long as there are rags cast off the road. Freed from vice and virtue, onward he wanders. One who lives in communion with God enjoys bliss, pure and uncontaminated, like a child and as someone intoxicated. <br><br> <! --- Poetry, centering table ---> <center><table><tr><td> <B><font color="blue"> 25. kastvaM ko.ahaM kuta aayaataH<br> kaa me jananii ko me taataH .<br> iti paribhaavaya sarvamasaaram.h<br> vishvaM tyaktvaa svapna vichaaram.h <br><br>  8 M 5 M $   K 9   A $  / > $  ,  > . G  ( ( @  K . G $ > $  <br>  $ ? * 0 ? - > 5 ? $ ( ?  8  8 > 0  , 8 0 M 5  $ M /  M $ M 5 8 M 5 * M ( 5 ?  > 0  <br><br> </font> </b> <br><br> <font color="green">  5 ! 5 A ( @ 5 A ,  5 ! ( A ( G ( A ?<br>  . @   $ M $ A ?   M   ? 5 > 0 . A <br>   M   / ? 5 M 5 ? ' ? ( G . ?  > 0 M / . A <br>  0 @ $ ?  . & ? 5 ?  > 0 ?   A . A <br><br>  5 M 5 0 A $  ! M 0 ? ,  5 M 5 0 A $ 2 M 2 ? <br> 5 > 0 ? ,  ' . A 2 A ( > $ K / G . ? <br>  $ M . 0 B * A 2 A   & 0 A  @ 5 A 2 A <br>  $ M .  A  $ M .  A ,  ' . A / G . ? ?<br><br> & G 9 ,  ' . A 2 A $ . . A . K 9 . G <br>  2 5 @ ( ? * H 5 M / >  A 2 $ M 5 . A ?<br> . ( A 7 A 2 , M 0 $ A  A . 9 ( M ( >   . A <br> . ( K  2 M * ? $ . > / > 8 M 5 * M ( . A .<br><br> 8 * M ( 8 . > ( . A 8 >  F ! ?  ( M . . A <br> ( ?  . A  > & A ( >   . A 8 0 M 5 . A <br> ( ?  . A  > ( ? & @ ( 0  @ 5 ? $ . A <br>  2  & (  ! , > / ( ? . K 9 . A ? ||8 M . 0 ?   A || <br><br> </td></tr></table></center><!--- End Poetry Centering ---><br><br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br><br> ( > ( >  ? , M 0 $ A  A ( >   . A ,<br>  > (   ( M ( & ?  H 5 2 M / . A .<br><br> * A  M  A  / A ( ?  . A * K 5 A  / A ( ?  . A ,<br> (  M  ( ! ? . ? * ( ? ( >   . A ,<br> / F  M  ( F & A   2 & @ * M 0 *   . A <br>   M   ! *  ? & ?  H 5 2 M / . A .<br><br> / @  @ 5 ? $  2 K  . M . , ( > ( M ( ,   M  ,  F 2 M 2 ? , $ ( / , $ ( / A ! A  > 5 G 7 . A 2 A 5 G 8 M $ B ,  ( M ( K 9 > 5 - > 5 . A 2 A  B * ? 8 M $ B , . . $ > ( A 0 >  . A 2   '  > 0 . A 2 K  ?  M  A  J ( ? 5 A ( M ( . (  A / @ 6 M 2 K  . A  ( A 5 ? * M * A  G / A ( A .<br><br> The next lesson was taught by Surendracharya, he said, dear friend! Take life in the right sense. Who is your mother and who is your father? Who are brothers and sisters ? Who are you? Who am I? Whence have I come? Who are all these persons, what is your relation with them ? Thus enquire, leaving aside the entire world which is comparable to a dream, and is essence less. Look at everything as essence less and give up the world as an idle dream. We are all sprits (Atma), We should take our relationships with anybody as sprit to sprit. If you see them with the bodily relation, then you feel attracted back in to the cloud of MAYA. Then again it leads to sorrow, sadness and all those worldly problems. So understand your role and play your role sensibly, don t get much involved,. Do your duty and leave things to Lord. The life is like a dream. What ever you do in a dream is not true. Similarly life is like a dream, don t take it seriously. The one you have to take serious and get involved is the devotion and service to Lord. </td></tr></table> <center><form name="fback" method="post" action="http://www.tlca.com/cgi-bin/comments/comments.pl"> <input type="hidden" name="artid" value="1207-8"> <input type="hidden" name="artname" value="Bhajagovindam Part 6"> <input type="hidden" name="arturl" value="http://www.tlca.com/adults/bhajagovindam-6.html"> <input type="submit" value="Post your comments on this article"> </form></center> </body></html>