The film spawned a whole genre: Bapu's Thyagayya(1981), Dasari Narayana Rao's Megha Sandesam (1982), Singeetam Srinivasa Rao's 'Sangeeta Samrat (1984), Vams's Sitara (1984), and Viswanath's own sequel Sagara Sangamam (1983) and Swathi Muthyam (1985). ਀

Veturi Sundararaamamurthy's lyrics add a whole new dimension of depth to the remarkable songs in this movie. Unfortunately, they might remain inaccessible even to many Telugu speaking people, especially the younger ones today. With the help of Ms.Brij Baala, we bring you the following translations of the songs. In this issue, we present the first two songs; The last three songs Maanasa Sancharare, Brochevaarevarura and Dorakuna Ituvanti Seva will be presented in the next issue.਀ ਀㰀倀㸀㰀昀漀渀琀 猀椀稀攀㴀∀ⴀ㄀∀㸀 吀栀椀猀 瀀愀最攀 甀猀攀猀 唀渀椀挀漀搀攀⸀ 䤀昀 礀漀甀爀 挀漀洀瀀甀琀攀爀 搀漀攀猀 渀漀琀 搀椀猀瀀氀愀礀 吀攀氀甀最甀 猀挀爀椀瀀琀Ⰰ  瀀氀攀愀猀攀 爀攀愀搀 愀渀搀 攀渀樀漀礀 琀栀攀 㰀愀 栀爀攀昀㴀∀猀愀渀欀愀爀愀戀栀愀爀愀渀愀洀甀⸀瀀搀昀∀㸀瀀搀昀 瘀攀爀猀椀漀渀㰀⼀愀㸀⸀ 䤀昀 礀漀甀 眀漀甀氀搀 氀椀欀攀 琀漀 猀攀琀 礀漀甀爀 挀漀洀瀀甀琀攀爀 甀瀀 琀漀 搀椀猀瀀氀愀礀 吀攀氀甀最甀 唀渀椀挀漀搀攀Ⰰ  瀀氀攀愀猀攀 猀攀攀 㰀愀 栀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀琀攀⸀眀椀欀椀瀀攀搀椀愀⸀漀爀最⼀眀椀欀椀⼀─䔀　─䈀　─䈀㔀─䔀　─䈀　─䈀䘀─䔀　─䈀　─㤀㔀─䔀　─䈀　─䈀䘀─䔀　─䈀　─䄀䄀─䔀　─䈀㄀─㠀　─䔀　─䈀　─䄀㄀─䔀　─䈀　─䈀䘀─䔀　─䈀　─䄀䘀─䔀　─䈀　─䈀䔀㨀匀攀琀琀椀渀最开甀瀀开礀漀甀爀开戀爀漀眀猀攀爀开昀漀爀开䤀渀搀椀挀开猀挀爀椀瀀琀猀∀㸀栀攀氀瀀 栀攀爀攀㰀⼀愀㸀㰀⼀倀㸀

਀

਀ ਀㰀琀愀戀氀攀 挀攀氀氀瀀愀搀搀椀渀最㴀∀㄀　∀ 戀最挀漀氀漀爀㴀∀⌀㤀㤀昀昀昀昀∀ 戀漀爀搀攀爀㴀∀㄀∀ 眀椀搀琀栀㴀∀㠀　─∀㸀 ਀㰀戀爀㸀㰀挀攀渀琀攀爀㸀㰀栀㈀㸀ጀȌᔌ㸌「‌⠀㸌☌㸌⠌䄌‌㰀⼀栀㈀㸀㰀椀洀最 猀爀挀㴀∀猀愀渀欀愀爀愀戀栀愀爀愀渀愀洀甀㄀⸀樀瀀最∀ 戀漀爀搀攀爀㴀∀㈀∀㸀㰀⼀挀攀渀琀攀爀㸀㰀戀爀㸀 1. ఓంకార నాదాను సంధానమౌ గానమే శంకరాభరణము

਀伀洀欀䄀爀愀 渀䄀搀䄀渀甀 猀愀渀搀栀䄀渀愀洀漀甀 最䄀渀愀洀䔀 匀愀渀欀愀爀䄀戀栀愀爀愀一愀洀甀㰀戀爀㸀㰀戀爀㸀 ਀圀漀爀搀 琀漀 眀漀爀搀 洀攀愀渀椀渀最㰀戀爀㸀 ---------------------
਀伀洀 欀䄀爀愀 渀䄀搀愀 㴀 琀栀攀 挀攀氀攀猀琀椀愀氀 猀漀甀渀搀 挀愀氀氀攀搀 伀洀㰀戀爀㸀 anusandhAnamou = that applies / harnesses
਀最愀愀渀愀洀䔀 㴀 琀栀攀 猀漀渀最㰀戀爀㸀 SankarAbharaNamu = the rAga called SankarAbharaNamu (the jewel of ਀匀栀椀瘀愀⤀㰀戀爀㸀㰀戀爀㸀 ਀䜀椀猀琀㰀戀爀㸀 ----
਀吀栀攀 猀漀渀最 琀栀愀琀 栀愀爀渀攀猀猀攀猀 琀栀攀 瀀漀眀攀爀 漀昀 琀栀攀 挀攀氀攀猀琀椀愀氀 猀漀甀渀搀 伀洀欀愀愀爀愀洀 椀猀  the one and only "SankarAbharaNam"
਀㰀⼀琀搀㸀㰀⼀琀爀㸀 ਀㈀⸀ 㘀Ȍᔌ「‌ᜀ㌌‌⠀㼌ᜌ㌌⸌䄌‌㘀䴌「䀌㤌「㼌‌⨀☌‌ᔀ⸌㈌⸌䄌‌㰀戀爀㸀 రాగ రత్న మాలికా తరళము శంకరాభరణము

਀匀愀渀欀愀爀愀 最愀䰀愀 渀椀最愀䰀愀洀甀 匀爀攀攀栀愀爀椀 瀀愀搀愀 欀愀洀愀氀愀洀甀㰀戀爀㸀 rAga ratna mAlika taraLamu SankarAbharaNamu

਀ Word to word meaning
਀ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ㰀戀爀㸀 Sankara = Shiva's
਀最愀䰀愀 㴀 琀栀爀漀愀琀⼀渀攀挀欀㰀戀爀㸀 nigaLamu = embraced
਀匀爀攀攀栀愀爀椀 㴀 䰀漀爀搀 匀爀椀洀愀渀渀愀爀愀礀愀渀愀✀猀㰀戀爀㸀 pada kamalamu = lotus feet
਀爀䄀最愀 爀愀琀渀愀 㴀 琀栀攀 最攀洀 漀昀 爀䄀最愀㰀戀爀㸀 mAlika = garland
਀琀愀爀愀䰀愀洀甀 㴀 猀栀椀渀椀渀最㰀戀爀㸀㰀戀爀㸀 ਀䜀椀猀琀㰀戀爀㸀 ----
਀吀栀椀猀 匀愀渀欀愀爀䄀戀栀愀爀愀一愀洀甀 椀猀 琀栀攀 猀栀椀渀椀渀最 樀攀眀攀氀 椀渀 琀栀攀 最愀爀氀愀渀搀 漀昀 最攀洀猀  called ragas. This is the adornment that embraced Shiva's neck and ਀䰀漀爀搀 匀爀椀栀愀爀椀✀猀 昀攀攀琀⸀㰀戀爀㸀 ਀㰀琀爀㸀㰀琀搀㸀 3. శారద వీణా రాగ చంద్రికా పులకిత శారద రాత్రము
਀⠀㸌「☌‌⠀䀌「☌‌⸀㤌␌䀌‌⠀㼌⠌㸌☌‌ᜀ⸌ᔌ㼌␌‌㘀䴌「㸌㔌⌌‌ᜀ䀌␌⸌䄌㰌戀爀㸀㰀戀爀㸀 SArada veeNA rAga chandrikA pulakita SArada rAtramu
਀渀䄀爀愀搀愀 渀攀攀爀愀搀愀 洀愀栀愀琀攀攀 渀椀渀䄀搀愀 最愀洀愀欀椀琀愀 匀爀䄀瘀愀一愀 最攀攀琀愀洀甀㰀戀爀㸀㰀戀爀㸀 ਀ Word to word meaning
਀ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ㰀戀爀㸀 SArada veeNA rAga = the song of Goddess Saraswati's instrument
਀挀栀愀渀搀爀椀欀䄀 㴀 琀栀攀 洀漀漀渀氀椀最栀琀㰀戀爀㸀 pulakita = made ecstatic
਀匀䄀爀愀搀愀 爀䄀琀爀愀洀甀 㴀 琀栀攀 渀椀最栀琀 漀昀 匀愀爀愀搀 刀椀琀甀 ⠀琀栀攀 猀攀愀猀漀渀 琀栀愀琀 昀漀氀氀漀眀猀  rainy season, known for its moonlit nights)
਀渀䄀爀愀搀愀 㴀 琀栀攀 洀甀渀椀 渀䄀爀愀搀愀㰀戀爀㸀 neerada = the cloud
਀洀愀栀愀琀攀攀 渀椀渀䄀搀愀 㴀 琀栀攀 猀漀甀渀搀 挀漀洀椀渀最 昀爀漀洀 琀栀攀 椀渀猀琀爀甀洀攀渀琀 挀愀氀氀攀搀 洀愀栀愀琀椀㰀戀爀㸀 gamakita = filled with the nuances of notes (gamakas)
਀匀爀䄀瘀愀一愀 最攀攀琀愀洀甀 㴀 琀栀攀 猀漀渀最 漀昀 匀爀䄀瘀愀一愀 洀漀渀琀栀 ⠀䄀愀渀椀 洀愀愀猀愀洀 琀栀愀琀✀猀  characterized by rains)

਀ Gist:
਀ⴀⴀⴀⴀⴀ㰀戀爀㸀 This SankarAbharaNam is like the ecstatic Sarad ritu night that's ਀昀椀氀氀攀搀 眀椀琀栀 琀栀攀 洀漀漀渀氀椀最栀琀 挀愀氀氀攀搀 琀栀攀 猀漀渀最 昀爀漀洀 䜀漀搀搀攀猀猀 匀愀爀愀猀眀愀琀椀✀猀  veena. This SankarAbharaNam is the song of Sravana month that's ਀昀椀氀氀攀搀 眀椀琀栀 琀栀攀 昀椀渀攀 猀栀愀搀攀猀 漀昀 渀漀琀攀猀 昀爀漀洀 一愀爀愀搀愀 爀甀猀栀椀✀猀 䴀愀栀愀琀椀 瘀攀攀渀愀  and the sounds from clouds.
਀㰀⼀琀搀㸀㰀⼀琀爀㸀 ਀㐀⸀ 　㠌㼌ᔌ䄌㈌‌ᔀ⠌䄌「㸌ᜌ⸌䠌‌　㠌‌ᜀȌᜌ㈌䬌‌␀㸌⠌⸌䠌‌㰀戀爀㸀 పల్లవించు సామ వేద మత్రము శంకరాభరణము

਀ rasikula kanurAgamai rasa gangalO taanamai
਀瀀愀氀氀愀瘀椀渀挀栀甀 猀䄀洀愀 瘀䔀搀愀 洀愀琀爀愀洀甀 匀愀渀欀愀爀䄀戀栀愀爀愀一愀洀甀㰀戀爀㸀㰀戀爀㸀 ਀圀漀爀搀 琀漀 眀漀爀搀 洀攀愀渀椀渀最㰀戀爀㸀 ---------------------
਀爀愀猀椀欀甀氀愀欀甀 㴀 琀漀 琀栀攀 挀漀渀渀漀椀猀猀攀甀爀猀㰀戀爀㸀 anurAgamai = dear / close to heart
਀爀愀猀愀 最愀渀最愀氀伀 㴀 椀渀 琀栀攀 最爀攀愀琀 爀椀瘀攀爀 漀昀 ∀爀愀猀愀∀ ⠀攀洀漀琀椀漀渀 漀爀 猀攀渀琀椀洀攀渀琀⤀㰀戀爀㸀 tAnamai = bathed
਀瀀愀氀氀愀瘀椀渀挀栀甀 㴀 琀栀愀琀 戀氀漀猀猀漀洀猀㰀戀爀㸀 sAma vEda mantramu = the verse of the fourth veda called saama veda

਀ Gist:
਀ⴀⴀⴀⴀⴀ㰀戀爀㸀 This SankarAbharaNam rAgam is the mantram from sAma vedam that's ਀猀漀愀欀攀搀 椀渀 琀栀攀 昀漀甀渀琀愀椀渀 漀昀 攀洀漀琀椀漀渀Ⰰ 挀栀攀爀椀猀栀攀搀 戀礀 琀栀攀  connoisseurs/experts of music and has blossomed.
਀㰀⼀琀搀㸀㰀⼀琀爀㸀 ਀㔀⸀ Ԁ☌䴌㔌䠌␌‌㠀㼌☌䴌✌㼌ᔌ㼌‌Ԁ⸌「␌䴌㔌‌㈀Ⰼ䴌✌㼌ᔌ㼌‌ᜀ㸌⠌⸌䘌‌㠀䬌⨌㸌⠌⸌䄌⸌⸀⸀⸀ 㰀戀爀㸀 సత్వ సాధనకు సత్య శొధనకు సంగీతమే ప్రాణము
਀␀䴌⼌㸌ᜌ「㸌ᰌ‌㤀䴌「䄌☌⼌⸌䠌‌　㸌ᜌ「㸌ᰌ‌⠀㼌㈌⼌⸌䠌‌㰀戀爀㸀 ముక్తి నొసగు భక్తి యోగ మార్గము
਀⸀䌌␌㼌⼌㈌䜌⠌㼌‌㠀䄌✌㸌㈌㸌⨌‌㠀䴌㔌「䴌ᜌ⸌䄌‌㘀Ȍᔌ「㸌ⴌ「⌌⸌䄌‌㰀戀爀㸀㰀戀爀㸀 ਀愀搀瘀愀椀琀愀 猀椀搀搀栀椀欀椀 愀洀愀爀愀琀瘀愀 氀愀戀搀栀椀欀椀 最愀愀渀愀洀攀 猀伀瀀愀愀渀愀洀甀⸀⸀⸀⸀㰀戀爀㸀 satva saadhanaku satya Sodhanaku sangeetamE praaNamu
਀琀礀䄀最愀爀䄀樀愀 栀爀甀搀愀礀愀洀愀椀 爀䄀最愀爀䄀樀愀 渀椀氀愀礀愀洀愀椀㰀戀爀㸀 mukti nosagu bhakti yOga mArgamu
਀洀刀琀椀礀愀氀䔀渀椀 猀甀搀栀䄀氀䄀瀀愀 猀眀愀爀最愀洀甀 匀愀渀欀愀爀䄀戀栀愀爀愀一愀洀甀㰀戀爀㸀㰀戀爀㸀 ਀圀漀爀搀 琀漀 眀漀爀搀 洀攀愀渀椀渀最㰀戀爀㸀 ---------------------
਀愀搀瘀愀椀琀愀 猀椀搀搀栀椀欀椀 㴀 琀漀 愀琀琀愀椀渀 琀栀攀 猀琀愀琀攀 漀昀 愀搀瘀愀椀琀愀㰀戀爀㸀 amaratva labdhiki = to gain the immortality
਀最䄀渀愀洀攀 猀伀瀀䄀渀愀洀甀 㴀 漀渀氀礀 洀甀猀椀挀 椀猀 琀栀攀 猀琀愀爀椀挀愀猀攀 ⠀瀀愀琀栀⤀㰀戀爀㸀 satva sAdhanaku = to achieve the satva guna (best one of the 3 gunas -਀猀愀琀瘀愀Ⰰ 爀愀樀愀猀Ⰰ 琀愀洀愀猀⤀㰀戀爀㸀 satya sOdhanaku = to seek the truth
਀猀愀渀最攀攀琀愀洀䔀 瀀爀䄀一愀洀甀 㴀 洀甀猀椀挀 愀氀漀渀攀 椀猀 琀栀攀 氀椀昀攀㰀戀爀㸀 tyAgarAja hrudayamai = as heart and intent of saint tyagaraja
਀爀䄀最愀爀䄀樀愀 渀椀氀愀礀愀洀愀椀 㴀 愀猀 琀栀攀 愀戀漀搀攀 琀漀 琀栀攀 欀椀渀最 漀昀 洀甀猀椀挀㰀戀爀㸀 muktini osagu = granting the liberation
਀戀栀愀欀琀椀 礀伀最愀 洀䄀爀最愀洀甀 㴀 琀栀攀 瀀愀琀栀 漀昀 搀攀瘀漀琀椀漀渀㰀戀爀㸀 mrutiyalEni = that has no death / that never perishes
਀猀甀搀栀䄀氀䄀瀀愀 猀眀愀爀最愀洀甀 㴀 琀栀攀 栀攀愀瘀攀渀 眀栀攀爀攀 猀漀渀最 ⠀愀氀愀瀀愀渀愀⤀ 椀猀 琀栀攀 愀洀戀爀漀猀椀愀㰀戀爀㸀㰀戀爀㸀 ਀䜀椀猀琀㨀㰀戀爀㸀 -----਀㰀戀爀㸀 Only music is the path that leads to the state of advaita and the ਀猀琀愀琀攀 漀昀 椀洀洀洀漀爀琀愀氀椀琀礀⸀ 吀漀 猀攀攀欀 琀栀攀 琀爀甀琀栀 漀昀 渀愀琀甀爀攀 愀渀搀 䜀漀搀Ⰰ 愀渀搀 琀漀  achieve the greatest of gunas called Satva guna, music alone is the ਀欀攀礀⸀ 吀栀椀猀 匀愀渀欀愀爀䄀戀栀愀爀愀一愀洀 椀猀 猀愀椀渀琀 琀礀愀最愀爀愀樀愀✀猀 栀攀愀爀琀 愀渀搀 愀戀漀搀攀 琀漀  Lord Rama. This is the path of devotion that grants the liberation, ਀愀渀搀 欀攀礀 琀漀 琀栀攀 椀洀洀漀爀琀愀氀 栀攀愀瘀攀渀 眀栀攀爀攀 琀栀攀 渀攀挀琀愀爀 漀昀 洀甀猀椀挀 昀氀漀眀猀⸀㰀戀爀㸀 ਀㰀⼀琀搀㸀㰀⼀琀爀㸀 ਀㰀⼀琀愀戀氀攀㸀 ਀ ਀㰀戀爀㸀㰀戀爀㸀㰀挀攀渀琀攀爀㸀㰀椀洀最 猀爀挀㴀∀⸀⸀⼀戀甀琀琀漀渀猀⼀戀愀爀ⴀ爀愀椀渀戀漀眀⸀最椀昀∀㸀㰀⼀挀攀渀琀攀爀㸀㰀戀爀㸀㰀戀爀㸀 ਀ ਀㰀琀爀㸀㰀琀搀㸀 ਀㰀戀爀㸀㰀挀攀渀琀攀爀㸀㰀栀㈀㸀　㸌ᜌȌ‌␀㸌⠌Ȍ‌⨀㈌䴌㈌㔌㼌‌㰀⼀栀㈀㸀㰀椀洀最 猀爀挀㴀∀猀愀渀欀愀爀愀戀栀愀爀愀渀愀洀甀㈀⸀樀瀀最∀ 戀漀爀搀攀爀㴀∀㈀∀㸀㰀⼀挀攀渀琀攀爀㸀㰀戀爀㸀 ਀　㸌ᜌȌ‌␀㸌⠌Ȍ‌⨀㈌䴌㈌㔌㼌‌㰀戀爀㸀 నా మదిలోనె కదలాడి కడతేరమన్నవి

਀ rAgam tAnam pallavi
਀渀䄀 洀愀搀椀氀伀渀攀 欀愀搀愀氀䄀䐀椀 欀愀䐀愀琀䔀爀愀洀愀渀渀愀瘀椀㰀戀爀㸀㰀戀爀㸀 ਀圀漀爀搀 吀漀 圀漀爀搀㰀戀爀㸀 -------------
਀爀䄀最愀洀 㴀 琀栀攀 爀愀愀最愀㰀戀爀㸀 tAnam = the rythemic pulse of song
਀瀀愀氀氀愀瘀椀 㴀 琀栀攀 漀瀀攀渀椀渀最 氀椀渀攀猀 漀昀 琀栀攀 欀爀椀琀椀㰀戀爀㸀 nA madilOne = in my heart and mind
਀欀愀搀愀氀䄀䐀椀 㴀 搀愀渀挀攀搀 ⼀ 搀眀攀氀氀攀搀㰀戀爀㸀 kaDatEramannavi = told me to seek my end/destiny

਀ Gist
਀ⴀⴀⴀⴀⴀ㰀戀爀㸀 The ragam taanam and pallavi dwell and dance in my heart and inspire me to seek the ultimate goal of life.

਀ ਀㰀琀爀㸀㰀琀搀㸀 ਀ నాదవర్తులై వేదమూర్తులై
਀　㸌ᜌᔌ䀌「䴌␌䄌㈌䠌‌␀䴌「㼌⸌䈌「䴌␌䄌㈌䠌‌㰀戀爀㸀 రాగం తానం పల్లవి

਀ nAdavartulai vEdamoortulai
਀爀䄀最愀欀攀攀爀琀甀氀愀椀 琀爀椀洀漀漀爀琀甀氀愀椀㰀戀爀㸀 rAgam tAnam pallavi

਀ Word To Word
਀ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ㰀戀爀㸀 nAdavartulai = the ones who dwell inside the sound
਀瘀䔀搀愀洀漀漀爀琀甀氀愀椀 㴀 琀栀攀 漀渀攀猀 眀栀漀 愀爀攀 瀀攀爀猀漀渀椀昀椀攀搀 戀礀 瘀攀搀愀洀㰀戀爀㸀 rAgakeertulai = the ones who are praised by the raagas
਀琀爀椀洀漀漀爀琀甀氀愀椀 㴀 琀栀攀 琀栀爀攀攀 最漀搀猀 ⴀ 挀栀愀琀甀爀洀甀欀栀愀 戀爀愀栀洀愀Ⰰ 瘀椀猀栀渀甀Ⰰ 猀椀瘀愀㰀戀爀㸀㰀戀爀㸀 ਀䜀椀猀琀㰀戀爀㸀 ----
਀吀栀攀 爀愀最愀洀Ⰰ 琀愀渀愀洀 愀渀搀 瀀愀氀氀愀瘀椀 琀栀愀琀 愀爀攀 氀椀欀攀 琀栀攀 琀栀爀攀攀 最漀搀猀 眀栀漀 搀眀攀氀氀 椀渀 琀栀攀 攀琀攀爀渀愀氀 猀漀甀渀搀 愀渀搀 愀爀攀 瀀攀爀猀漀渀椀昀椀攀搀 戀礀 琀栀攀 瘀攀搀愀洀 愀渀搀 愀爀攀 瀀爀愀椀猀攀搀 戀礀 琀栀攀 洀甀猀椀挀 椀琀猀攀氀昀Ⰰ 愀爀攀 椀渀猀瀀椀爀椀渀最 洀攀 琀漀 猀攀攀欀 洀礀 最漀愀氀⸀㰀戀爀㸀 ਀㰀⼀琀搀㸀㰀⼀琀爀㸀 ਀㰀琀爀㸀㰀琀搀㸀 ਀ ਀㘀䌌␌㼌‌㈀⼌㈌䜌‌ᰀ⠌⠌䀌‌ᰀ⠌ᔌ䄌㈌䄌‌ᔀ㸌ᜌ‌㰀戀爀㸀 భావాల రాగాల తాళాల తేలి
਀㘀䴌「䀌‌ᨀ「⌌‌⸀Ȍ☌㸌「‌⸀✌䄌⨌⸌䄌⠌䠌‌㔀䴌「㸌㈌㼌‌㰀戀爀㸀 నిర్మల నిర్వాణ మధు ధారలే గ్రోలి
਀ⴀ「␌㸌ⴌ㼌⠌⼌‌㔀䜌☌‌㔀䴌「␌‌☀䀌ᔌ䴌㜌‌⨀䈌⠌㼌‌㰀戀爀㸀 కైలాస సదన కాంభోజి రాగాన
਀⠀䀌‌⨀☌‌⠀「䴌␌⠌‌㠀䜌⼌ᜌ‌㰀戀爀㸀㰀戀爀㸀 ਀ Sruti layalE jananee janakulu kAga
਀戀栀䄀瘀䄀氀愀 爀䄀最䄀氀愀 琀䄀䰀䄀氀愀 琀䔀氀椀㰀戀爀㸀 Sree charaNa mandAra madhupamunai vrAli
਀渀椀爀洀愀氀愀 渀椀爀瘀䄀一愀 洀愀搀栀甀 搀栀䄀爀愀氀䔀 最爀伀氀椀㰀戀爀㸀 bharatAbhinaya vEda vrata deeksha pooni
਀欀愀椀氀䄀猀愀 猀愀搀愀渀愀 欀愀洀戀栀伀樀椀 爀䄀最䄀渀愀㰀戀爀㸀 nee pada nartana sEyaga

਀ Word To Word
਀ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ㰀戀爀㸀 Sruti layalE = tone and beat
਀樀愀渀愀渀攀攀 樀愀渀愀欀甀氀甀 欀䄀最愀 㴀 戀攀挀愀洀攀 洀漀琀栀攀爀 愀渀搀 昀愀琀栀攀爀㰀戀爀㸀 bhAvAla = in meanings
਀爀䄀最䄀氀愀 㴀 椀渀 琀甀渀攀猀㰀戀爀㸀 tALAla = in rythms
਀琀䔀氀椀 㴀 昀氀漀愀琀椀渀最㰀戀爀㸀 Sree charaNa = Lord SriHari's lotus feet
਀洀愀渀搀䄀爀愀 㴀 昀氀漀眀攀爀 挀愀氀氀攀搀 洀愀渀搀愀爀愀㰀戀爀㸀 madhupamunai = like a honeybee
਀瘀爀䄀氀椀 㴀 爀攀猀琀椀渀最㰀戀爀㸀 nirmala = unblemished
਀渀椀爀瘀䄀一愀 㴀 氀椀戀攀爀愀琀椀漀渀㰀戀爀㸀 madhu dhAralE = streams of nectar
਀最爀伀氀椀 㴀 搀爀椀渀欀椀渀最㰀戀爀㸀 bharatAbhinaya vEda = the vedam called bharata sastram (dance)
਀瘀爀愀琀愀 㴀 瀀椀漀甀猀 漀戀猀攀爀瘀愀渀挀攀㰀戀爀㸀 deeksha = oath
਀瀀漀漀渀椀 㴀 甀渀搀攀爀琀愀欀椀渀最㰀戀爀㸀 kailAsa sadana = one who dwells in Kailasam / lord Shiva
਀欀愀洀戀栀伀樀椀 爀䄀最䄀渀愀 㴀 椀渀 琀栀攀 爀愀愀最愀 挀愀氀氀攀搀 欀愀愀洀戀栀漀樀椀㰀戀爀㸀 nee pada = your feet
਀渀愀爀琀愀渀愀 猀䔀礀愀最愀 㴀 搀愀渀挀攀搀㰀戀爀㸀 ਀䜀椀猀琀㰀戀爀㸀 ----
਀ I became a honeybee born to Sruti and Laya and floating in the meanings tunes and rythms reached the lotus feet of Lord Vishnu to drink the nectarian flows of moksham/liberation. I undertook the oath of practicing the Bharata sastra as Lord Shiva who dwells in Kailasa mountain is dancing to the raaga kaambhoji.
਀ ਀ ਀㰀琀爀㸀㰀琀搀㸀 ਀ Notes:
਀ⴀⴀⴀⴀⴀⴀⴀ㰀戀爀㸀 ਀㰀倀㸀吀栀攀 刀愀最愀洀ⴀ吀愀渀愀洀ⴀ倀愀氀氀愀瘀椀 椀猀 琀栀攀 氀漀渀最攀猀琀 愀渀搀 琀攀挀栀渀椀挀愀氀氀礀 洀漀猀琀 挀栀愀氀氀攀渀最椀渀最 椀琀攀洀 瀀攀爀昀漀爀洀攀搀 椀渀 䌀愀爀渀愀琀椀挀 挀氀愀猀猀挀椀愀氀 洀甀猀椀挀 挀漀渀挀攀爀琀猀⸀ 吀栀攀 猀漀渀最 椀猀 瀀攀爀猀漀渀椀昀礀椀渀最 琀栀攀 爀愀最愀洀 愀渀搀 琀愀渀愀洀 愀渀搀 瀀愀氀氀愀瘀椀 愀猀 琀爀椀洀甀爀琀椀猀⸀ 吀栀攀 氀礀爀椀挀猀 琀漀 琀栀椀猀 猀漀渀最 椀渀搀椀挀愀琀攀 愀 搀攀攀瀀 甀渀搀攀爀猀琀愀渀搀椀渀最 漀昀 洀甀猀椀挀 愀渀搀 搀愀渀挀攀 漀渀 琀栀攀 瀀愀爀琀 漀昀 琀栀攀 氀礀爀椀挀椀猀琀⸀ 䔀瘀攀爀礀 氀椀渀攀 椀猀 愀 搀漀甀戀氀攀 攀渀琀攀渀搀爀攀Ⰰ 漀渀攀 洀攀愀渀椀渀最 瀀漀椀渀琀椀渀最 琀漀 愀 戀攀愀甀琀椀昀甀氀 氀愀渀搀猀挀愀瀀攀 ⠀椀搀攀愀氀 昀漀爀 搀愀渀挀攀⤀ 愀渀搀 琀栀攀 漀琀栀攀爀 瀀漀椀渀琀椀渀最 琀漀 琀栀攀 渀漀琀攀猀Ⰰ 爀愀最愀猀 愀渀搀 欀攀攀爀琀愀渀愀猀 椀渀 洀甀猀椀挀Ⰰ 戀漀琀栀 洀攀愀渀椀渀最猀 挀甀氀洀椀渀愀琀椀渀最 琀漀眀愀爀搀猀 搀攀瘀漀琀椀漀渀 愀渀搀 琀栀攀 瀀爀愀椀猀攀 漀昀 䰀漀爀搀⸀  ਀㰀倀㸀䘀漀爀 攀砀愀洀瀀氀攀Ⰰ 琀栀攀 䜀愀愀渀搀栀愀愀爀愀 椀渀 琀栀攀 昀椀爀猀琀 挀栀愀爀愀渀愀洀 爀攀昀攀爀猀 琀漀 愀 爀攀最椀漀渀 椀渀 琀栀攀 渀漀爀琀栀攀爀渀 猀椀搀攀 漀昀 䤀渀搀椀愀 ⠀琀漀搀愀礀✀猀 䄀昀最栀愀渀椀猀琀愀渀⤀ 琀栀愀琀 眀愀猀 瘀攀爀礀 昀攀爀琀椀氀攀Ⰰ 愀渀搀 愀氀猀漀 爀椀挀栀 椀渀 猀挀甀氀瀀琀甀爀攀⸀ 䜀愀渀搀栀愀愀爀愀 猀椀氀瀀愀洀猀 眀攀爀攀 昀愀猀栀椀漀渀攀搀 愀昀琀攀爀 戀攀愀甀琀椀昀甀氀 戀栀愀渀最椀洀愀猀 漀爀 瀀漀猀攀猀 椀渀 挀氀愀猀猀椀挀愀氀 搀愀渀挀攀⸀ 䄀氀猀漀Ⰰ 䜀愀愀渀搀栀愀愀爀愀 椀猀 愀 渀漀琀攀 椀渀 琀栀攀 㜀ⴀ渀漀琀攀 洀甀猀椀挀愀氀 猀挀愀氀攀⸀ 䬀攀搀愀愀爀愀 洀攀愀渀猀 昀攀爀琀椀氀攀 氀愀渀搀 愀渀搀 愀氀猀漀 椀琀✀猀 愀 渀愀洀攀 漀昀 愀 挀愀爀渀愀琀椀挀 爀愀愀最愀⸀ 吀栀攀 甀猀愀最攀 漀昀 ∀䜀愀愀渀搀栀愀愀爀愀∀ 挀漀洀戀椀渀攀搀 眀椀琀栀 ∀䬀攀搀愀愀爀愀∀ 琀栀甀猀 最椀瘀攀猀 甀猀 琀眀漀 攀砀瀀氀愀渀愀琀椀漀渀猀Ⰰ 漀渀攀 戀愀猀攀搀 漀渀 洀甀猀椀挀 愀渀搀 漀渀攀 戀愀猀攀搀 漀渀 搀愀渀挀攀⸀  ਀㰀⼀琀搀㸀㰀⼀琀爀㸀㰀⼀琀愀戀氀攀㸀 ਀

਀㰀椀渀瀀甀琀 琀礀瀀攀㴀∀栀椀搀搀攀渀∀ 渀愀洀攀㴀∀愀爀琀渀愀洀攀∀ 瘀愀氀甀攀㴀∀匀愀渀欀愀爀愀戀栀愀爀愀渀愀洀甀∀㸀 ਀㰀椀渀瀀甀琀 琀礀瀀攀㴀∀猀甀戀洀椀琀∀ 瘀愀氀甀攀㴀∀倀漀猀琀 礀漀甀爀 挀漀洀洀攀渀琀猀 漀渀 琀栀椀猀 愀爀琀椀挀氀攀∀㸀 ਀

਀ క్రిష్నా తరంగాల సారంగ రాగాలు ਀ᔀ䴌「㼌㜌䴌⠌㈌䀌㈌‌␀「㼌Ȍᜌ㼌⌌䀌‌ⴀᔌ䴌␌㼌‌ᜀ䀌␌㸌㈌䄌‌㰀戀爀㸀 సస్యకేదారాల స్వరస గాంధారాలు ਀㠀「㠌‌㤀䴌「䄌☌⼌‌ᔀ䴌㜌䜌␌䴌「‌㔀㼌⸌㈌‌ᜀ㸌Ȍ✌「䴌㔌㸌㈌䄌‌㰀戀爀㸀 క్షీర సాగర శయన దేవ గాంధారిలో ਀⠀䀌‌⨀☌‌ᔀ䀌「䴌␌⠌‌㠀䜌⼌ᜌ‌㰀戀爀㸀㰀戀爀㸀 ਀ krishna tarangAla sAranga rAgAlu ਀欀爀椀猀栀渀愀氀攀攀氀愀 琀愀爀椀渀最椀一攀攀 戀栀愀欀琀椀 最攀攀琀䄀氀甀㰀戀爀㸀 sasyakEdArAla swarasa gAndhArAlu ਀猀愀爀愀猀愀 栀爀甀搀愀礀愀 欀猀栀䔀琀爀愀 瘀椀洀愀氀愀 最䄀渀搀栀愀爀瘀䄀氀甀㰀戀爀㸀 ksheera sAgara Sayana dEva gAndhArilO ਀渀攀攀 瀀愀搀愀 欀攀攀爀琀愀渀愀 猀䔀礀愀最愀㰀戀爀㸀㰀戀爀㸀 ਀圀漀爀搀 吀漀 圀漀爀搀㰀戀爀㸀 ------------- ਀欀爀椀猀栀渀愀 㴀 琀栀攀 爀椀瘀攀爀 䬀爀椀猀栀渀愀㰀戀爀㸀 tarangAla = waves ਀猀䄀爀愀渀最愀 㴀 搀愀瀀瀀氀攀搀 ⼀ 挀漀氀漀爀昀甀氀㰀戀爀㸀 rAgaalu = raagaas ਀欀爀椀猀栀渀愀 氀攀攀氀愀 琀愀爀椀渀最椀一攀攀 㴀 琀栀攀 最爀攀愀琀 戀漀漀欀 漀昀 搀攀瘀漀琀椀漀渀愀氀 挀漀洀瀀漀猀椀琀椀漀渀猀 戀礀 匀爀椀 一愀爀愀礀愀渀愀 吀攀攀爀琀栀愀㰀戀爀㸀 bhakti geetAlu = devotional compositions ਀猀愀猀礀愀 欀䔀搀䄀爀䄀氀愀 㴀 昀攀爀琀椀氀攀 氀愀渀搀猀 最爀攀攀渀 眀椀琀栀 挀爀漀瀀猀㰀戀爀㸀 swarasa gAndhArAlu = the natural and unadulterated northern lands (gandhara is a region, also gandhara is a note in the musical scale) ਀猀愀爀愀猀愀 栀爀甀搀愀礀愀 欀猀栀䔀琀爀愀 㴀 琀栀攀 栀攀愀爀琀猀 漀昀 挀漀渀渀漀椀猀猀攀甀爀猀㰀戀爀㸀 vimala = pure, unblemished ਀最䄀渀搀栀愀爀瘀䄀氀甀 㴀 琀栀攀 甀渀椀漀渀⼀眀攀搀搀椀渀最 眀椀琀栀 洀甀琀甀愀氀 挀漀渀猀攀渀琀 伀刀 琀栀攀 愀爀琀 漀昀 最愀渀搀栀愀爀瘀愀猀Ⰰ 椀⸀攀⸀Ⰰ 洀甀猀椀挀㰀戀爀㸀 ksheera sAgara Sayana = Lord SriMahaVishnu who's reclining on the milk ocean OR the tyagaraja kruti named Ksheera Sagara Sayana ਀搀䔀瘀愀 最䄀渀搀栀愀愀爀椀氀伀 㴀 椀渀 琀栀攀 爀愀最愀 搀攀瘀愀 最愀愀渀搀栀愀愀爀椀㰀戀爀㸀 nee pada = your feet ਀欀攀攀爀琀愀渀愀 猀䔀礀愀最愀 㴀 猀椀渀最椀渀最 瀀爀愀椀猀攀㰀戀爀㸀㰀戀爀㸀 ਀䜀椀猀琀㰀戀爀㸀 ---- ਀㰀倀㸀吀栀攀 搀愀瀀瀀氀攀搀 眀愀瘀攀猀 漀昀 爀椀瘀攀爀 䬀爀椀猀栀渀愀Ⰰ 匀爀椀 一愀爀愀礀愀渀愀 吀攀攀爀琀栀愀✀猀 搀攀瘀漀琀椀漀渀愀氀 挀漀洀瀀漀猀椀琀椀漀渀猀Ⰰ 琀栀攀 氀甀猀栀 最爀攀攀渀 昀攀爀琀椀氀攀 最愀愀渀搀栀愀爀愀 爀攀最椀漀渀 昀椀氀氀攀搀 眀椀琀栀 挀爀漀瀀猀Ⰰ 愀渀搀 琀栀攀 瀀甀爀攀 洀甀猀椀挀 椀渀 琀栀攀 栀攀愀爀琀猀 漀昀 挀漀渀渀漀椀猀猀攀甀爀猀 ⴀ 愀氀氀 琀栀攀猀攀 愀爀攀 猀椀渀最椀渀最 礀漀甀爀 瀀爀愀椀猀攀 椀渀 爀愀最愀 搀攀瘀愀 最愀愀渀搀栀愀愀爀椀Ⰰ 伀 䰀漀爀搀 一愀爀愀礀愀渀愀℀㰀戀爀㸀 ਀䄀渀漀琀栀攀爀 䴀攀愀渀椀渀最㰀戀爀㸀 --------------- ਀㰀倀㸀匀爀椀 一愀爀愀礀愀渀愀 吀攀攀爀琀栀愀✀猀 搀攀瘀漀琀椀漀渀愀氀 栀礀洀渀猀 爀攀猀攀洀戀氀椀渀最 琀栀攀 挀漀氀漀爀昀甀氀 眀愀瘀攀猀 漀昀 爀椀瘀攀爀 欀爀椀猀栀渀愀Ⰰ 䄀渀搀 琀栀攀 最愀愀渀搀栀愀愀爀愀 渀漀琀攀猀 琀栀愀琀 攀渀爀椀挀栀 琀栀攀 䬀攀搀愀愀爀愀 爀愀愀最愀洀 愀爀攀 最攀琀琀椀渀最 甀渀椀漀渀攀搀 椀渀 琀栀攀 栀攀愀爀琀猀 漀昀 挀漀渀渀漀椀猀猀攀甀爀猀 愀渀搀 猀椀渀最椀渀最 琀栀攀 最氀漀爀礀 漀昀 䰀漀爀搀✀猀 氀漀琀甀猀 昀攀攀琀 椀渀 琀栀攀 欀攀攀爀琀愀渀愀 挀愀氀氀攀搀 ∀䬀猀栀攀攀爀愀 匀愀愀最愀爀愀 匀愀礀愀渀愀∀ 猀攀琀 椀渀 搀攀瘀愀 最愀愀渀搀栀愀愀爀椀 爀愀愀最愀洀⸀ ਀